{"id":4292,"date":"2013-10-15T20:13:40","date_gmt":"2013-10-15T20:13:40","guid":{"rendered":"http:\/\/taurodigital.com.ar\/tauroargentina\/?page_id=4292"},"modified":"2025-11-09T18:26:49","modified_gmt":"2025-11-09T21:26:49","slug":"awards","status":"publish","type":"page","link":"https:\/\/taurodigital.com\/en\/awards\/","title":{"rendered":"AWARDS AND NOMINATIONS"},"content":{"rendered":"
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EL ANGEL<\/h3>\n

2019 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner\u00a0Best Sound:\u00a0Jos\u00e9 Luis D\u00edaz (Supervising Sound\u00a0Editor) –\u00a0Flavio Nogueira\u00a0(Re-recording mixer)<\/h5>\n

2019 Premios Platino del Cine Iberoamericano\u00a0(FIPCA \/ EGEDA)<\/h4>\n

Nominee Best Sound –\u00a0Jos\u00e9 Luis D\u00edaz (Sound designer) – Flavio Nogueira (Rerecording Mixer)<\/h5>\n

2018 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound – Jos\u00e9 Luis D\u00edaz (Sound designer) –\u00a0Flavio\u00a0Nogueira (Rerecording Mixer)<\/h5>\n

2018 Fenix Ibero-American Film Award<\/h4>\n

Nominee Best Sound:\u00a0Jos\u00e9 Luis D\u00edaz\u00a0(Supervising Sound\u00a0Editor) –\u00a0Flavio Nogueira\u00a0(Re-recording mixer)<\/h5>\n

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\"\"
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PETIT FR\u00c8RE<\/h3>\n

SANFIC –\u00a02018 Chilean Film Competition<\/h4>\n

Winner Best Sound: Flavio Nogueira (Supervising\u00a0sound editor\u00a0&\u00a0Rerecording mixer)<\/h5>\n

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\"\"
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LOS QUE AMAN ODIAN<\/h3>\n

2018 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound:\u00a0Jos\u00e9 Luis D\u00edaz (Supervising Sound\u00a0Editor) –\u00a0Flavio Nogueira\u00a0(Re-recording mixer)<\/h5>\n

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\"\"
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SANGRE EN LA BOCA<\/h3>\n

2016 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound – Jos\u00e9 Luis D\u00edaz (Sound designer) –\u00a0Lucas Meyer\u00a0(Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"\"
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VOLEY<\/h3>\n

<\/h4>\n

2015 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound – Jos\u00e9 Luis D\u00edaz (Sound designer) –\u00a0Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"Relatos\"<\/a>
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RELATOS SALVAJES<\/h3>\n

2015 Premios Platino del Cine Iberoamericano\u00a0(FIPCA \/ EGEDA)<\/h4>\n

Winner Best Sound –\u00a0Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2015 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner Best Sound –\u00a0Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2014 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Winner Best Sound – Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"dolares-de-arena\"
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D\u00d3LARES DE ARENA<\/h3>\n

24\u00b0 Cine Cear\u00e1 \u2013 Festival Iberoamericano de Cinema\u00a0<\/span><\/h4>\n
Winner Best Sound\u00a0– Alejandro de Icaza,\u00a0Diego Gat<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n

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\"Metegol_x\"<\/a>
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METEGOL<\/h3>\n

2014 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner Best Sound –\u00a0Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2013 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Winner Best Sound – Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n
Winner Best Music –\u00a0Emilio Kauderer\u00a0(Music composer) – Pablo Borghi (Orchestrator)\u00a0– Diego Gat (Music Mixer)<\/h5>\n

Premios Platino del Cine Iberoamericano 2014 (FIPCA – Federaci\u00f3n Iberoamericana de Productores Cinematogr\u00e1ficos y Audiovisuales \/ EGEDA – Entidad de Gesti\u00f3n de Derechos de los Productores Audiovisuales)<\/h4>\n

Winner Best Music\u00a0– \u00a0<\/span>Emilio Kauderer\u00a0(Music composer) – Pablo Borghi (Orchestrator)\u00a0– Diego Gat (Music\u00a0Mixer)<\/h5>\n
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\"Serra<\/a>
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SERRA PELADA<\/h3>\n

Grande Pr\u00eamio do Cinema de 2014<\/span>\u00a0(Academia Brasileira de Cinema)<\/h4>\n
Nominee Best Sound\u00a0–\u00a0Jo\u00e3o Godoy, M\u00e1rtin Grignaschi, Diego Gat and\u00a0Lucas Meyer<\/span><\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"el-gato-desaparece_x\"<\/a>
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EL GATO DESAPARECE<\/h3>\n

2012 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner Best Sound –\u00a0Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2011\u00a0Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Winner Best Sound –\u00a0Jos\u00e9 Luis D\u00edaz (Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"las-acacias_x\"<\/a>
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LAS ACACIAS<\/h3>\n

2012 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Mart\u00edn Litmanovich\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"revolucion_x\"<\/a><\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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REVOLUCI\u00d3N<\/h3>\n

2012 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Mart\u00edn Grignaschi\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2011\u00a0Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Mart\u00edn Grignaschi\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"igualita-a-mi_x\"<\/a><\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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IGUALITA A MI<\/h3>\n

2010 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Winner Best Sound\u00a0–\u00a0Jos\u00e9 Luis D\u00edaz\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"\"<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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TE EXTRA\u00d1O<\/h3>\n

2010 Ariel Award (Academy of Motion Picture Arts and Sciences of Mexico)<\/h4>\n

Nominee Best Sound –\u00a0Lena Esquenazi\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"la<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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LA SANGRE BROTA<\/h3>\n

2010 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Leandro de Loredo \u00a0–\u00a0Mart\u00edn Montrasi\u00a0(Rerecording Mixer)<\/h5>\n

2009 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Leandro de Loredo\u00a0(Sound designer) – Mart\u00edn Montrasi\u00a0(Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"LLUVIA\"<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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LLUVIA<\/h3>\n

2009 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Mart\u00edn Grignaschi\u00a0– Diego Gat (Rerecording Mixer)<\/h5>\n

2008 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Mart\u00edn Grignaschi\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"la<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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LA LE\u00d3N<\/h3>\n

2009 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Abel Tortorelli\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"Argentina<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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ARGENTINA BEAT<\/h3>\n

2008 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0– Diego Gat (Sound designer) -Mart\u00edn Montrasi\u00a0(Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"la<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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LA ANTENA<\/h3>\n

2008 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner Best Sound\u00a0– Jos\u00e9 Luis D\u00edaz\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2007 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Winner Best Sound\u00a0– Jos\u00e9 Luis D\u00edaz\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"Agua\"<\/p>\n<\/div><\/div>\n<\/div><\/div>\n

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AGUA<\/h3>\n

2007 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner Best Sound\u00a0–\u00a0Martin Grignaschi y Federico Billordo\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n

2006 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Martin Grignaschi y Federico Billordo\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"MONOBLOC\"
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MONOBLOC<\/h3>\n

2007 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Martin Porta y Catriel Vildosola\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"el
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EL CAMINO DE SAN DIEGO<\/h3>\n

2006 Sur Award (Academy of Motion Picture Arts and Sciences of Argentina)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Carlos Abbate y Jos\u00e9 Luis Diaz\u00a0(Sound designer) – Diego Gat (Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n
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\"EL
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EL PERRO<\/h3>\n

2005 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Nominee Best Sound\u00a0–\u00a0Carlos Abbate y Jos\u00e9 Luis Diaz\u00a0(Sound designer) -Mart\u00edn Montrasi\u00a0(Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div>\n
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\"RAUL
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RA\u00daL BARBOZA, el sentimiento de abrazar<\/h3>\n

2004 Silver Condor (Argentine Film Critics Association)<\/h4>\n

Winner Best Sound\u00a0–\u00a0Daniel M\u00e1rquez\u00a0(Sound designer) -Mart\u00edn Montrasi\u00a0(Rerecording Mixer)<\/h5>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-4292","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/pages\/4292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/comments?post=4292"}],"version-history":[{"count":24,"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/pages\/4292\/revisions"}],"predecessor-version":[{"id":5597,"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/pages\/4292\/revisions\/5597"}],"wp:attachment":[{"href":"https:\/\/taurodigital.com\/en\/wp-json\/wp\/v2\/media?parent=4292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}